Bourne Ultimatum

If The Bourne Ultimatum is the last film of the Bourne series, then the Bourne franchise is going out with not just a bang but a major ear-splitting explosion. Matt Damon doesn’t rest on his Bourne laurels and proves once again he truly is an action movie star in every sense of the word. The Bourne Ultimatum adopts a take no prisoners approach, loaded with over-the-top action sequences that make this Bourne the meatiest film of the trilogy. Hang on tight because The Bourne Ultimatum is an exciting thrill ride where the action’s in your face and almost non-stop.

The Story

Jason Bourne’s still trying to figure out his past as the third Bourne movie begins. The story picks up right where Bourne Supremacy left off and director Paul Greengrass and his cast haven’t lost a step in the three years between films. Bourne’s the ultimate fighter - sorry Randy Couture and Chuck Liddell - and unafraid of taking down anyone who stands in the way of the truth. Although much of the film takes place in foreign locations, Bourne’s journey leads him back to the United States and straight into the lion's den, the place he believes holds all the answers. It also means he’s up against a new uber-bureaucrat (played by David Strathairn) whose agenda doesn’t include letting Bourne return to the fold.

The Cast

The basic story hasn’t changed in three films, but Damon still manages to play the character as fresh as the day he first stepped into Bourne’s shoes. Damon doesn’t have to prove anything the third time around, but not once does he let down his audience by devoting anything less than 100% of himself to his performance.

Matt Damon and Joan Allen in The Bourne Ultimatum.
© Universal Pictures
Strathairn’s coldly calculating performance is right on, and Joan Allen is once again crisply professional and solid as Pamela Landy. While she’s the heart, soul and moral conscience of this Bourne film, returning Bourne player Julia Stiles is relegated to being not much more than a minor diversion from the main storyline. Stiles’ performance is detached and stiff, and is the one weak spot in an otherwise impressive group of performances that includes Scott Glenn, Paddy Considine, Edgar Ramirez and Albert Finney.

The Bottom Line

Director Paul Greengrass’ use of the handheld camera to capture the immediacy of Bourne’s predicament works for the most part. It’s slightly distracting during the first 20 minutes when most of the scenes are dialogue-driven explanatory shots featuring just two actors. But once the story’s set-up and the film segues into the real meat and bones of the story, Greengrass’ signature style is perfect for the crazy chase scenes and spectacularly well choreographed fights. Damon as Bourne takes out the bad guys in cool and ingenious ways, and the documentary-style storytelling is the perfect tool for putting the audience smack-dab in center of the action.

Returning screenwriter Tony Gilroy’s The Bourne Ultimatum is the leanest and meanest of the series, a chase movie of breathtaking purity. Bourne engages in hand-to-hand combat and even pulls off an incredible escape by throwing a stolen police car into reverse and flying at break-neck speeds away from his pursuers. And just when you get a chance to catch your breath, Greengrass and company slam you back into another full-throttle action scene.

Even while sharing the same basic plot as Identity and Supremacy, there’s nothing recycled about the way The Bourne Ultimatum delivers on the thrills. The Bourne Ultimatum is one of 2007’s best action movies and more than lives up to expectations.

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